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Drawing from the major tapestry of the "Lady and the Unicorn" series at the Cluny Museum, the composition features an oak tree set against gray vegetation background, surrounded by two red bands that provide dramatic color contrast within the medieval design framework. The gray background creates more naturalistic atmosphere compared to the traditional red mille-fleurs found in other series panels, allowing the oak's botanical characteristics to emerge with greater clarity while maintaining the symbolic weight of this sacred tree in medieval culture. Oak imagery carries profound meaning in European traditions, representing strength, wisdom, and divine protection, making it particularly significant within the allegorical framework of the Lady and the Unicorn cycle. The 187 x 75 cm portrait format in portière configuration transforms architectural spaces while preserving the contemplative quality that distinguishes individual elements from the celebrated series. Red framing bands maintain visual connection to the broader series while allowing the gray vegetation to create unique atmospheric effects that emphasize natural observation over decorative convention. Woven from 72% cotton, 25% viscose, and 3% polyester with cotton lining, the piece demonstrates how specific botanical elements from complex medieval narratives can function independently while retaining cultural significance about endurance, nobility, and spiritual strength.