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Extracted from the major tapestry of the "Lady and the Unicorn" series at the Cluny Museum, the composition presents an orange tree against gray vegetation background, framed by two red bands that create striking color contrast within the overall design scheme. Unlike the traditional red mille-fleurs background found in other panels from the series, the gray vegetation creates more naturalistic setting that emphasizes the botanical accuracy of the orange tree while maintaining the symbolic significance of this exotic fruit in medieval culture. The 187 x 75 cm portrait format in portière style provides architectural applications while preserving the contemplative quality that distinguishes this particular extract from the celebrated series. Red framing bands connect this panel to the broader visual vocabulary of the Lady and the Unicorn cycle while allowing the natural gray background to create unique atmospheric effects not found elsewhere in the series. Woven from 72% cotton, 25% viscose, and 3% polyester with cotton lining, the piece demonstrates how individual elements from complex medieval narratives can function as independent decorative statements while retaining their connection to larger cultural meanings about luxury, fertility, and earthly paradise that characterized late medieval artistic symbolism.